Food & Wine Pros

From the archives: Does Bordeaux need butter?
Italian wines with olive oil-based dishes, Bordeaux with butter-based ones. Sound like a no-brainer? Well, yes, if you happen to be in either region: you obviously drink the local wine with the local food. But just think for a moment about today’s top international restaurants.
Olive oil is much more likely to be the favoured cooking medium than butter - or duck fat for that matter. So where does that leave Bordeaux? Or international variants on Bordeaux grape varieties? And does that rule out classic French-inspired cuisine with Italian wines?
It was wine consultant Hugo Rose MW who first got me thinking about these issues. He’d picked up on a comment by Angelo Gaja who had expressed the view that his wines were best enjoyed in the company of olive-oil based dishes. Hugo had wondered if the reverse was true of Bordeaux. “If you look at the (Bordeaux) region olives are not found either in the vineyards or in the kitchen. If you speak to the Bordelais about olive oil the advice tends to be to use it very sparingly and only with salad.”
I invited Hugo to join me to put the theory to the test at one of London’s best neighbourhood restaurants Aubergine in Fulham (now closed), whose Michelin-starred chef William Drabble is able to turn his hand to either style. In front of us we had 8 wines - three Bordeaux, two Italian - a Chianti Classico and a Barolo - and three New World wines - an Australian Cabernet and a Californian Merlot and Pinot Noir. (Bear in mind this tasting took place in 2005 when you look at the vintages but I think the conclusions still apply)
The first exercise was to see how they went with olive oil. We had three different examples, a light, herby, slightly spicy Provencal oil called Alziari, an intensely grassy, peppery oil from Frescobaldi in Tuscany, and a richly fruity Spanish oil from Valdueza (all supplied by The Oil Merchant)
As anticipated, our Bordeaux, which included a ‘99 La Tour Figeac (Saint-Emilion), a 2000 Chateau Talbot (St Julien) and a 1989 Chateau Dauzac (Margaux) struggled, the most versatile match being the muscular, more tannic Talbot. But interestingly we found that it didn’t make a huge difference to our wines how powerful the flavour of the oil was. The Frescobaldi was particularly difficult - true - with the La Tour Figeac but the much milder Alziari also tended to make both it and the Dauzac taste astringent.
Our Chianti - a 2001 La Pieve Rodere Il Palazzino - went predictably well with the Tuscan Frescobaldi but not as well as a 1997 Barolo Cannubi from E Pira & Figli which was also excellent with the Spanish oil. The Californian Merlot, a Duckhorn 2001, worked well with the Tuscan and Spanish oils (better in my view than Hugo’s) but not at all well with the milder Provencal one while the Cabernet, a still-vibrant 1998 Houghton Jack Mann, clashed quite horribly with the Valdueza but fared better than the Bordeaux with the Frescobaldi. As did the Pinot Noir - a Peter Michael Le Moulin Rouge 1999. Conclusion? Like cheese, olive oil can create problems for any kind of red, not just Bordeaux.
Next we tried our wines with three different dishes cooked in duck fat, butter and olive oil, bringing in a much wider range of flavours and textures. First off was a south-west inspired ballotine of confit duck with a foie gras ‘vinaigrette’ and caramelised onions. It should have gone with the three Bordeaux and did so perfectly with the St Emilion and older Dauzac but less well with the more tannic Talbot. Hugo and I disagreed about how well it went with the Barolo (I liked it, he didn’t) and the other Bordeaux varietals - Hugo favoured the Duckhorn Merlot while I thought it went slightly better with the Jack Mann Cabernet but we agreed it didn’t do the Chianti and Pinot Noir any favours at all. A Bordeaux-biased dish, then, but not just any Bordeaux. More traditional, more mature, restrained styles worked better.
The next dish, a pithivier (puff pastry pie) of quail with a very rich red wine and butter sauce, should have been natural Bordeaux territory but it was really only the Talbot which coped with its intensity. Much better were the Barolo and the Duckhorn Merlot for which it was almost the perfect dish. It wasn’t pleasant at all with the Chianti or the Jack Mann and made the pinot noir taste too jammy though it picked up nicely on the mushrooms in the recipe. Result? No regional bias at all to the wine matches. Piedmont and California proved just as good as Bordeaux.
Finally, an all-Mediterranean dish of lamb cooked with olive oil, rosemary, olives and aubergines, fertile territory, you’d think for our Chianti for which it was certainly the best, if not outstanding match. But it was convincingly outclassed by the Barolo and the Duckhorn Merlot. The Bordeaux didn’t seem as uncongenial as one might have imagined, the smoother, more mellow Dauzac and La Tour Figeac being a more attractive pairing than the Talbot but the anticipated lamb and cabernet marriage didn’t happen with the Jack Mann which surprisingly worked less well than the Peter Michael Pinot Noir. Outcome: Mediterranean flavours don’t necessarily need Mediterranean wines.
In such a brief session, it’s hard to reach definitive conclusions except to say that the wide disparity in styles in any region make it hard to make generalisations of the Bordeaux = butter, Italian wines = olive oil variety. Two factors make any match more challenging - firm tannins in a wine and astringency or pungency in an oil. A tentative conclusion might be that much-maligned merlot is a more forgiving grape variety than cabernet - or young cabernet at least - and that Barolo should be considered more often as a dining option when a table is ordering a range of different dishes.
The best matches
- With the duck confit and foie gras vinaigrette
The 1999 La Tour Figeac and 2001 Duckhorn Merlot were Hugo’s top choices, the La Tour Figeac and the 1989 Dauzac were mine. Yes, Bordeaux and dishes based on duck fat work well - no surprise there.
- With the pithivier of quail and red wine butter sauce
Hugo and I both awarded our best marks to the Chateau Talbot, Barolo Cannubi and Duckhorn Merlot, indicating no particular regional bias for butter (The Barolo outcome is not so surprising when you remember that butter rather than oil was the fat traditionally used in Northern Italy)
- With the roast chump of lamb with provencal vegetables, olives and rosemary
A slight divergence again: Hugo rated the Duckhorn Merlot, Barolo and Pinot noir most highly. I favoured the Barolo, Merlot and La Tour Figeac. The Chianti was good but not as good as we expected.
What else to drink with oil- or butter-infused dishes
- Chardonnay almost always works well with a butter-based sauce as it does with a creamy one. The richer the dish, the better the chardonnay. Meursault and similarly rich chardonnays are superb with a hollandaise, lobster cooked in butter or a steak bearnaise: lighter styles of white burgundy such as Puligny or cool climate New World chardonnay with a beurre blanc.
- Rich southern French whites - blends of Marsanne, Roussanne and Viognier - from the Languedoc or Rhone are a good alternative
- Mediterranean-style olive oil-based fish dishes using red mullet or seabass work exceptionally well with strong, dry ros especially if the dish includes olives or tapenade. I was drinking brilliantly well - and cheaply - from the Costieres de Nimes this summer.
- Dry Italian whites such as Soave and Lugana seem made for dishes with basil-infused oil or with pesto.
- Albarino would be my wine of choice with spanish style hake cooked with olive oil and garlic or with salsa verde.
This article was first published in Decanter in October 2005

What kind of food should you serve with fine wine?
Most of the time we’re pairing wine and food it’s the food that comes first but for people in the trade it’s more often about what food will flatter the wine. But how do you ensure a successful match?
I went to two top end wine dinners last week which took different approaches to the task. The first a tasting and dinner hosted simultaneously in Brussels, Hamburg and London by the Bureau Interprofessionel des Vins de Bourgogne showcased premier crus, especially Chablis, Meursault and Gevrey-Chambertin.
They decided on a four course menu with effectively two main courses - roast breast of chicken with pearl barley and vegetable risotto to showcase Maison Albert Bichot’s Domaine du Pavillon 2010 Meursault les Charmes and seared rump of lamb with borlotti bean, marrow and confit tomato cassoulet to go with a 2013 Gevrey-Chambertin Clos Prieur from Maison Louis Max.
The first course, which was paired with Nathalie and Gilles Fèvre’s 2010 Chablis Vaulorent was a a dish of very lightly cooked smoked fish with chive and lemon creme fraiche and ‘young leaves and shoots’
Picking out the flavours of the wines
Clearly the thinking had been to come up with pairings based on the flavours that could be found in or which complemented the wines. A trace of smokiness in the Chablis, for example, mirrored that in the fish, the cream offset it and the citrus picked up on the still fresh acidity of the wine. Chicken is invariably a safe bet with chardonnay so they were on solid ground with the Meursault, though the glazed shallot was an imaginative touch which particularly flattered the wine.
Interestingly a similar ingredient appeared in the other dinner, a very glamourous affair hosted in the Berry Bros & Rudd directors’ dining room. Here the caramelized note was provided by the glazed endive that was served in the first course with duck pastrami and crisp little gorgonzola fritters which picked up the rich golden character of the two 2004 burgundies they served, a La Sève du Clos Meursault from Arnaud Ente and a Le Montrachet Grand Cru from Domaine des Comtes Lafon. A particularly bold pairing that could only have come from road-testing the match with the wine or one very similar to it.
Should you save the best wine for the cheese?
Given they had both red burgundy and bordeaux to show off they went for the classic French solution of serving the burgundies - a 1999 Jacques-Frederic Mugnier Chambolle Musigny and a 1999 Gevrey-Chambertin Clos St Jacques from Domaine Armand Rousseau - with the main course (roast saddle of lamb with anchovy, parsley and mint) and the bordeaux with the cheese which I seem to recall, though things were slightly hazy by this stage, were a Rollright, a washed rind cheese made in the style of a Reblochon, a punchy Lincolnshire Poacher and a Shropshire Blue. Personally I found they didn’t really do the wines - a fragile 1945 (NO, that’s not a misprint - 1945!) Clos Fourtet St Emilion and an utterly glorious 1990 Chateau Margaux (for me the wine of the evening) many favours but what do you do? The sort of people who dine at Berry’s (mainly chaps of a certain age, I imagine) no doubt both expect cheese and to drink the best reds in the house with it. Personally I’d rather go with beef or lamb and if I had to serve cheese pick just one but again guests expect a proper cheeseboard, regardless of whether its contents detract from the wine or not. It’s a dilemma.
The burgundies did work beautifully with the lamb however.
Should you serve a sweet wine?
Desserts were also handled differently. Given that burgundy doesn’t produce sweet wine the BIVB didn’t serve anything with the refreshing lemon and honeycomb mousse they picked, which was accompanied by poached fruit, brown sugar meringue and almond brittle. It worked fine - you didn’t really need one - but an alternative might have been to serve a liqueur from the region from someone like Gabriel Boudier.
At Berry Brothers they decided to use the dessert course as a platform to show off a very special port - the Graham’s 90 Very Old Tawny Port that had been specially bottled to celebrate the Queen’s 90th birthday that happened to be that day (what a treat!). They boldly paired it with a chocolate delice with passion fruit curd and ginger ice cream which worked surprisingly well - it was still extraordinarily vibrant - though the cheese - especially the Shropshire Blue - would have worked too.
Apart from the use of caramelisation, one of the other interesting things I noted was the use of bitter ingredients, particularly in the main course lamb dish at the burgundy dinner which included olives, capers and preserved lemon - all of which tend to heighten the fruit in older wines. Other dishes employed anchovy, cavolo nero and rosemary to similar effect. Care was taken though not to overwhelm any of the dishes with over-flavourful vegetables or intense jus which could have knocked the stuffing out of these spectacular vintages.
Ideally you would have a run-through before a dinner of this kind but with old, rare and possibly priceless wines that might well not be possible. The key thing I think is to make sure the chef and front of house team both try the wines being poured with the food so they can consign it to their palate memories for a future occasion.
(Incidentally a neat trick from Berry Bros. They marked both the menu and the glasses with coloured dots so you could remember, in your befuddled state, which glass was which!)
I attended the dinners as a guest of the BIVB and Berry Bros & Rudd respectively.
Main image credit: Kerstin Riemer from Pixabay

The best food matches for Amarone
A recent lunch* and discussion hosted by Masi at Heston Blumenthal’s Dinner gave a revealing glimpse of what the best food pairings for amarone might be.
It also highlighted - as with many wines - that there is more than one style. It was fascinating how the Masi range had evolved from the 1990s to the present day - the most recent vintages seeming lighter and more elegant than the traditional robust style. ‘Light’ might seem an odd word to use in conjunction with a 15% plus wine but it’s a question of balance or how it feels in the mouth. Today’s amarone - well Masi’s at any rate - wears its alcohol lightly - a deliberate move, it seems, to bring it more in tune with contemporary, particularly Asian cuisine. And it’s not a tannic wine.
Of course there’s amarone and amarone. According to Sandro Boscaini, over 50% of amarone is now produced by co-ops creating a downward pressure on prices that is worrying for traditional producers like Masi who still use the expensive, time-consuming technique of drying grapes on bamboo mats (many other producers now use plastic and dry the grapes for a much shorter time).
Some of the more traditional food pairings obviously date from a time when amarone was considerably cheaper than it is now. They include, according to the recently published Amarone by Kate Singleton*, rustic stews - some made with amarone, sweet-tasting meats like horsemeat and strong cheeses.
And Boscaini’s favourite pairing? “Take a bite-sized fragment of parmesan cheese and a teaspoon of acacia honey, pop them both in your mouth, and chew them to savour the taste then take a sip of amarone and enjoy the resulting harmonies.”
See also The best food pairings for amarone
Fish is not normally suggested as a pairing for amarone but, according to Singleton’s book, sommelier Kazuo Naito recommends it with anago con nitsume, stewed eel cooked in a sweet soy sauce with some wasabi to refresh the palate. In fact it seems to be the soy sauce that’s the key. Naito also recommends it with chicken teriyaki and spiced chicken livers in soy sauce.
See also this account of a meal in Verona with Bertani.
* This book is sponsored by Masi. I also ate at Dinner as their guest. This lunch took place in 2013

What to eat with Cloudy Bay
For most people the New Zealand winery Cloudy Bay is synonymous with sauvignon blanc but their range now extends to sparkling, sweet and red wines, a message underlined by a dinner at Hix Mayfair (in Brown’s Hotel) the other day.
Hix’s style - like that of St John - is minimalist: carefully sourced ingredients cooked as simply as possible. In fact a couple of his suppliers were at the table including the ebullient Peter Hannan of the Meat Merchant whose whose fantastic guanciale I tried the other day.
Cloudy Bay’s wines, on the other hand are generous and full of personality - classically ‘new world’. How would the two get on?
The best matches ironically were not with sauvignon but with pinot of which they now have two - one from their home territory of Marlborough, the other from Central Otago.
The more delicate Marlborough one - a 2012 - was paired with a rib of Peter Hannan’s superb bacon with Bramley apple sauce and the more robust 2011 Te Wahi with two courses: a Glenarm Estate steak with Hampshire ‘pennybuns’ (ceps) with parsley and a washed rind cheese called Guernsey Goddess made by Alex James (of Blur fame) from Guernsey milk and washed in Somerset Cider Brandy. That was the biggest surprise because although the cheese wasn’t particularly ‘stinky’ it was very rich and creamy but was a fantastic match with the sweet-fruited pinot.
The better known sauvignon - now on the 2014 vintage - kicked off the dinner with a threesome of oysters (I like the way Hix avoids the word ‘trio’) - some natives, rocks with cucumber green chilli and shallots and some deep-fried rocks served with a rich bearnaise-y style mayo (at his Fish and Oyster House in Dorset he serves a ransom mayonnaise but as ransoms aren’t in season I’m guessing he used herbs). That was the best match of the three but the natives were somewhat overwhelmed by the wine and the oysters with rocks and chilli not quite as good a match as you’d expect. (I think it needed more Asian-style seasoning which isn’t really Hix)
The next course of Wye Valley asparagus (a second, late harvest) and purslane salad was spot on though. There’s more going on than just asparagus flavours in the Cloudy Bay Sauvignon but enough to link to the dish - an explosion of green herbal flavours that was just delicious.
The course I didn’t think quite worked was a steamed fillet of St Mary’s Bay turbot (below) with sea beet and rape-seed oil where the fish was ironically so fresh it threw the accompanying 2013 Cloudy Bay chardonnay out of kilter, emphasising its oak rather than its creaminess. I think an older vintage or a light butter sauce of some kind - or even melted butter (better than rapeseed oil with this wine) - would have made it work.
And the luscious 2007 Late Harvest riesling wasn’t done any huge flavours by the Peruvian Gold chocolate mousse. Given Hix uses British ingredients it would have been better with something apple-based.
So great food, great wine but only a limited number of great matches in my opinion. It’s a problem with wine dinners. Restaurants don’t have the time or staff resources to tweak or change their dishes to match the wines and its hard taking wines out of their natural register - in Cloudy Bay’s case, the big flavours of Asian-accented New Zealand food. That doesn’t mean of course you shouldn’t do it. A preliminary run-through tends to highlight any problems.
I attended the dinner as a guest of Cloudy Bay.
Image credit: Matt Boulton, CC BY-SA 2.0

How to host a wine pairing dinner
Ollie Couillaud’s inaugural wine dinner at The Lawn Bistro in Wimbledon, west London yesterday was a masterclass in how to get it right.
First of all he only had four courses. Too many wine dinners these days have multiple small courses, challenging for the kitchen and sommelier, wearying and unsatisfying for the customer (particularly male customers, it has to be said) who want a ‘proper’ meal - and are entitled to have one for the money they’re paying.
Two wines (all burgundies) were served with every course - except the aperitif and the dessert. That gave the presenter, Master Sommelier Gearoid Devaney of Flint Wines something interesting to talk about and the attendees a chance to learn more about this complex and confusing region. They were also from different producers and vintages.
The menu was well chosen. That should go without saying but sometimes the chef’s ego gets in the way of showcasing the wines to best effect.
We kicked off with some clever ‘amuses’ including the most wicked, silky-textured chicken liver parfait I’ve ever eaten which were served with a glass of 2009 Domaine Ballot Millot Bourgogne Blanc from vineyards which border Meursault, showing how impressive basic burgundy can be in the hands of a good producer.
Next a sound choice of seared scallops and black pudding with Granny Smith apple purée and lentil and hazelnut vinaigrette - a great foil for two lovely white burgundies, a 2009 St Aubin 1er Cru Charmois from Domaine Paul Pillot and a 2010 Chassagne-Montrachet from Domaine Moreau. The Moreau was still incredibly young but opened up beautifully in the glass.
The main course of roast squab pigeon with foie gras, Jerusalem artichoke purée, fondant potato and port and orange sauce looked challenging on paper but worked amazingly well with both the 2005 Aloxe-Corton Domaine Lebreuil and 2008 Beaune 1er Cru Les Sizies Domaine Guiton that were served with it, the lighter, more elegant Beaune, surprisingly, having the edge over the richer, earthier Aloxe-Corton.
And the dessert was served simply on its own - a croustade of caramelised apples with vanilla ice cream with a show-stopping crisp pastry cone which covered it like a witch’s hat as it was brought to the table. No accompanying wine as burgundy doesn’t do sweet wines. We didn’t miss it.
The numbers were kept low (25) to give the kitchen a chance to adjust to serving banqueting style rather than the normal restaurant service and the price was a fair £95 for the quality and amount of food and drink that was served.
The guests went away asking when the next dinner would take place. Couillaud clearly has a ready-made fan base for future events.
I attended the dinner as a guest of The Lawn Bistro.
Latest post
-1750669559-0.jpg)
Most popular
.jpg)
My latest book

News and views
.jpg)


